Charm with a face
Roll a ball, shape it, press in two eyes and a smile. A jump ring and a chain turn it into a keyring.
punch the hole while it's soft. no second chances
Twelve things made by hand at Friend of Dorothy Pottery. No wheel, no experience, forty minutes.
Never touched clay? Pick one of these. You will finish it, it will look like the thing it is meant to be, and you will still have time to make a second one.
Roll a ball, shape it, press in two eyes and a smile. A jump ring and a chain turn it into a keyring.
punch the hole while it's soft. no second chances
A ball for the cap, a stubby cylinder for the body. Add spots, a face and tiny arms once the shape is right.
nobody has ever made a bad one
One flat shape, under five centimetres. Draw into the surface with a needle tool before it dries, then glue a magnet on after firing.
the face is the whole job. go bold
A flat disc folded once and pinched. Add a little stamped tag on a jump ring and it becomes a hanging decoration.
fold it while the clay is still floppy
A rolled slab with the edges pinched up. Press circles into the base and give each one a face.
shallow. it is for rings, not soup
Because a bowl is what gets demonstrated. Forty minutes is not long, so people copy the thing they just watched, and the room fills up with twenty slightly different bowls.
That is the only reason. Not skill, not time, not the clay. So this page goes on the table before anyone touches anything.
put it out before they sit down
A bit more shape, a bit more patience. All of these still come from one lump of clay and your hands.
Flatten a disc, poke one hole at an angle, pinch a lip at the edge to catch the ash. Add a small pot alongside if you have time.
fastest useful thing in the book
Press lace, fabric or a stamp into a flat slab, then lift the edges into a shallow dish before it stiffens.
press harder than feels right
Lay a stem or a flower head onto soft clay, roll over it, peel it away. The impression stays.
flat leaves print best. thick stems tear
If you do make one, make it a good one. Keep the walls even, stop before they go thin, then paint it properly.
a bowl you chose beats a bowl you defaulted to
A pinch pot with a nose pressed on and dents for eyes. Real glasses hooked over the top do the rest.
these photograph better than anything else
These take the whole session. Good for anyone who has already made something they are pleased with and wants to push it.
A pinch pot turned upside down is a body. Add eyes, feet and a wide mouth and it becomes a frog.
score every join or the legs fall off
A hollow dome with holes cut for eyes, sitting over a tealight. The light comes through the gaps.
cut the holes bigger than you think
Everything here is the reason a piece cracks, falls apart, or comes back from the kiln in bits.
Thick clay traps air and can blow apart in the kiln, taking its neighbours with it. If a piece feels heavy for its size, hollow it out.
Scratch both surfaces, wet them, press and smooth. Anything stuck on without scoring falls off. Ears, legs and tails are the usual casualties.
Charms, tags and decorations all need their hole now. Keep a straw on every table, and make it bigger than looks right, because clay shrinks.
Small pieces dry faster, fire faster and fail less often. Steer people away from anything bigger than a fist.
Before it leaves the table, every single time. Twenty unmarked pots is a fortnight of guessing whose is whose.
Friend of Dorothy Pottery runs monthly. No experience, no wheel, no pressure to be good at it.
the wonky ones are the best ones
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