Gay menyou can make more
than a bowl

Twelve things made by hand at Friend of Dorothy Pottery. No wheel, no experience, forty minutes.

Start here

Never touched clay? Pick one of these. You will finish it, it will look like the thing it is meant to be, and you will still have time to make a second one.

Charm with a face

Roll a ball, shape it, press in two eyes and a smile. A jump ring and a chain turn it into a keyring.

punch the hole while it's soft. no second chances

Mushroom

A ball for the cap, a stubby cylinder for the body. Add spots, a face and tiny arms once the shape is right.

nobody has ever made a bad one

Magnet with a face

One flat shape, under five centimetres. Draw into the surface with a needle tool before it dries, then glue a magnet on after firing.

the face is the whole job. go bold

Fortune cookie

A flat disc folded once and pinched. Add a little stamped tag on a jump ring and it becomes a hanging decoration.

fold it while the clay is still floppy

Trinket dish with faces

A rolled slab with the edges pinched up. Press circles into the base and give each one a face.

shallow. it is for rings, not soup

Why everyone goes home with a bowl

Because a bowl is what gets demonstrated. Forty minutes is not long, so people copy the thing they just watched, and the room fills up with twenty slightly different bowls.

That is the only reason. Not skill, not time, not the clay. So this page goes on the table before anyone touches anything.

put it out before they sit down

Once you have the hang of it

A bit more shape, a bit more patience. All of these still come from one lump of clay and your hands.

Incense holder

Flatten a disc, poke one hole at an angle, pinch a lip at the edge to catch the ash. Add a small pot alongside if you have time.

fastest useful thing in the book

Textured dish

Press lace, fabric or a stamp into a flat slab, then lift the edges into a shallow dish before it stiffens.

press harder than feels right

Pressed plant dish

Lay a stem or a flower head onto soft clay, roll over it, peel it away. The impression stays.

flat leaves print best. thick stems tear

Yes, a bowl

If you do make one, make it a good one. Keep the walls even, stop before they go thin, then paint it properly.

a bowl you chose beats a bowl you defaulted to

Face planter

A pinch pot with a nose pressed on and dents for eyes. Real glasses hooked over the top do the rest.

these photograph better than anything else

If you are feeling brave

These take the whole session. Good for anyone who has already made something they are pleased with and wants to push it.

Pinch pot animal

A pinch pot turned upside down is a body. Add eyes, feet and a wide mouth and it becomes a frog.

score every join or the legs fall off

Tealight holder

A hollow dome with holes cut for eyes, sitting over a tealight. The light comes through the gaps.

cut the holes bigger than you think

Five things that decide whether it survives

Everything here is the reason a piece cracks, falls apart, or comes back from the kiln in bits.

Nothing thicker than a finger

Thick clay traps air and can blow apart in the kiln, taking its neighbours with it. If a piece feels heavy for its size, hollow it out.

Score every join

Scratch both surfaces, wet them, press and smooth. Anything stuck on without scoring falls off. Ears, legs and tails are the usual casualties.

Punch holes while it's soft

Charms, tags and decorations all need their hole now. Keep a straw on every table, and make it bigger than looks right, because clay shrinks.

Small survives

Small pieces dry faster, fire faster and fail less often. Steer people away from anything bigger than a fist.

Initials on the bottom

Before it leaves the table, every single time. Twenty unmarked pots is a fortnight of guessing whose is whose.

Pick one. Make two.

Friend of Dorothy Pottery runs monthly. No experience, no wheel, no pressure to be good at it.

the wonky ones are the best ones